Wednesday, 19 July 2017

Cras 3

Okay, there's one point in here that I'm reacting to the most. Anyway, this is the third in the series, and it's largely good.

Hey, it's a Cars movie, and it's about racing! Lightning McQueen is out there on the track, but then a new car makes the scene and outraces him. Because this car is New Technology and McQueen is Old Technology. Yeah, that's one thing, but that's not the bad part. Frankly, in any sports event as time goes by, people get better at it and the top field these days would completely overwhelm the top field in the past.

Anyway, McQueen needs to train, so Cruz Ramirez (a female trainer) trains him, but he can't get better. However, he does see Cruz doing well, but it's her beating him that puts him down. So he needs to accept this and move on to the next part of his life. A lot of the movie is around that, and you can see it coming and it's completely not subtle.

So then we get roles moving around and Cruz has a chance, and... she's put down by the lead racer because she's female... WHAT? Where did that come from? These are CARS. Different sexes don't even make sense! And yet females = inferior is completely throughout this movie. All the racers are males, but there's no reason for that. Why can't females race? Are they using different fuel? Are they too pink? (Note: none of the female cars are pink.) What? Where the hell did that come from?

The McQueen arc is good, but Cruz's arc is fumbled at the most important point. Get screwed, movie, get screwed.

[END]

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Monday, 17 July 2017

TELOS: Citadel of Dreams

I like Dave Stone so picked this up way back when. But couldn’t remember any of it when it came time to rereading it. So I could go in fresh.

It seems that the way to approach these Novellas is to not feature the Doctor in them. Okay, this is only the second one, but both minimise his presence. This story really focuses on Joey Quine, a resident of the City and his abilities. There are a few other characters, but it is mainly his story and how he deals with the trouble the City is going through.

Dave, as Dave is wont to do, tries to be cute with the writing, with telling latter parts of the story earlier in the tale. I’m still not entirely sure what happened at the end, despite this being a second read, and the obvious hook doesn’t seem to add up, but neither does the second obvious interpretation.

It feels like Dave is trying to be more clever than actually getting down to telling the story, so we have a lot of set up and description, but not much actually clearly happening.

A story with bigger ideas than execution.


[END]

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Saturday, 15 July 2017

Universal 1925

I haven't read the book, but after this I'm thinking I should to find out how much the musicals ripped off from this or both from the book. I'm, of course, speaking of the Phantom.

The Phantom haunts the opera, and makes sure his young pet, Christine Daae, is the main singer. He finally gets up the courage to make his move on her, and is extremely creepy acting towards her reluctance. Eventually he kidnaps her entirely as she is going to go off with Raoul, her boyfriend, and Raoul chases after them. Ultimately, the Phantom tries to escape, but only the final escape is possible.

Lon Chaney gives a good performance. And that's a rather iconic facial prosthesis that works a lot better than either of the musical masks (then again, Lon doesn't have to sing). Mary Philbin as Christine seems really vacant. Christine isn't supposed to be the most mental capacity person, but even so, Mary is putting on a real vagueness. Norman Kerry is a good Raoul, and there are other decent performances too.

Last time the monster was incidental. This time, the monster is core to the story. I feel like we should hopefully aim for a better balance that gives a decent story in which the monster is a good part if not the lead role.

[END]

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Friday, 14 July 2017

Wonder Thirteenth Falls

And that's a wrap on this series.

The bulk of the episode is Jaye and others held hostage at a store. But while she is hostage, she can't say her final goodbye to Eric. It's around that point that a) Eric realises he doesn't want to be with Heidi, and b) Heidi doesn't really want to be with Eric. But that revelation is saved for the final few minutes whereby we get the pat lines of "I had to leave so I could come back" and so on.

This does make me wonder (hah!) if the cliffhanger to the first series was supposed to be Eric and Heidi leaving, and only after the show got cancelled they quickly tacked on that ending to wrap things up. It would explain why the store looks a little different, and only Jaye and Eric are in the scene. It has a certain feel of "let's quickly get this done because we don't have another chance."

That aside, the rest of the episode is as typically upbeat and nutty as the rest of the series. And I'm glad we got at least this much of the series. Hopefully you'll want to check it out now.

I'm not sure what's next, or I might just take a break for a while.

[END]

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Wednesday, 12 July 2017

Spdermon Hamcombing

Not only did I see this, but I also got patience as well!

While this isn't an origin story, it is an introduction story, so we are basically at the post "I got bit by a spider and now I have powers bit!" scene. Peter is having to deal with having powers, and not knowing what to do with them, but getting in over his head anyway. And having friends find out about it. Oh, and the Vulture is in this, although he's never called that. Because what this movie is really about is who is Spider-Man? Is he Peter, or is he the Suit? Don't worry, they make that point abundantly clear that even I can get it.

Tom Holland is fine as Parker, but anyone could have been the bird man (see what I did there???). And there are a lot of supporting characters that... I have no idea if they are supposed to be anyone, aside from Flash. And I didn't pick the character they slipped in, although I did wonder if they would become relevant.

There are some great scenes where we have Peter jumping around or crawling on different surfaces that were quite believable. Maybe they used a rig in some places? But the CGI was very well put in.

Overall, this is an opening story, so there are many things we need to check off the list, so hopefully next time we'll get something meatier?

[END]

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Monday, 10 July 2017

TELOS: Time and Relative.

[Let's keep this Doctor Who train rolling, with going to the novellas I never got around to reading.]

This is the most explosively original novel ever!!, and it could only have been done by the one and only Kim Newman!!!!

At least, according to the hype at the time this came out.

What we have is a story set before the first episode, and tells a story from the point of view of Susan. And while Ian and Barbara are sort of mentioned, this whole thing is something that is never brought up again during the entire time they travel together (which is true of all the books and audios set during any of the tv episodes…). This story is about the Cold and it taking over the school / city / country / world.

Kim goes a long way towards saying that no-one notices what’s really going on, because everyone always ignores the strange otherwise no-one would be anywhere. This does get to feel a little too on point, and gets in the way of an otherwise decent story.

Because it is still good, and well told, of a time before the series. Nowadays, this isn’t an original gimmick, but at the time it was different.

Also it took me too long to click on the significance of the names of Susan’s friends.

So as a start to the Telos Novella range, this is pretty good, although I would debate the emphasis on the novella length being the most important defining quality.


[END]

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Sunday, 9 July 2017

Universal 1923

Okay, let's dive in the Universal Monster series. First up is the Hunchback.

A young gyspy woman is caught up in a triangle between an aristocrat and an archdeacon. A peasant revolt is riled up and gates are stormed. Also, there happens to be a hunchback who happens to be in the city as well, but he doesn't really do much in the story.

This is start of Lon Chaney's monster career, and it's plain he's in a mask. But he seems to be having fun and that's what counts. This reminds me a bit of the Marx Brothers' film in that there's a focal point to the movie that advertised, namely the monster, but there's a plot going on while every now and then the monster comes on to do his bit.

We'll see how this progresses, and this is only the start, but it's not an auspicious beginning.

[END]

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