Saturday, 21 October 2017

Universal 1937

Wait a minute... this isn't a monster movie! But it does have Boris Karloff? And it is... Night Key.

David Mallory invents a new detection system, which is an improvement on the previous system he made. However, Ranger basically stole his old idea for his own profit (store protection via electronic circuits) and buys David's new idea (breaking light beam) but plans to sit on it. David is incensed by this, and goes on a spree... breaking into Ranger protected stores and moving the merchandise around, signing Night Key. However, crooks get their hands on the device and David must do what he can, with his daughter in danger.

While not a monster movie, it is a great crime movie. This is rather more light hearted fare too, and... I really enjoyed this. Boris Karloff gives a great performance and Jean Rogers is... so dreamy!

I hope there are more like this to come. While I like the monsters, it's nice to have this to break it up.

[END]

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Friday, 20 October 2017

Red Dwaf XII.I

Season 12, and we now have as many seasons without Rob Grant as with, and it just hasn't been the same since he left.

After poker shenanigans (which involves laughter after each and every line), we get to the space station with the bulk of the plot, meeting various evil people who have now been cured: Joseph Stalin, Messilina, Vlad the Impaler, and, of course, Adolf Hitler. We spend most of the time with Adolf, because he is the campiest one, and even have an overlong guitar jamming session between him and Lister (who can play?). But of course it goes badly so someone is still evil. And... it's the one you expect.

They go really heavy on the jokes, and... well, over load them into the story. This reminded me a lot of the Waxworld story in which we have an excuse to meet various famous people from history and have fun with them.

Not a great start to the season, but I've seen worse episodes. And will I see more of them?

[END]

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Monday, 16 October 2017

TELOS: The Dalek Factor

This is it. The big story to wrap everything up. Simon Clark writes the last novella, although it is the longest and at what point is “novella” not even applicable any more?

While giving nothing away, this features Daleks. Well, sort of. It’s about Thals who are hunting Daleks and are possibly finding them on this planet. However, one things after another happens, and along the way they come across a mysterious figure who seems to know a lot, but can’t remember, but call him Professor. The whole thing is mysterious, but eventually we find out what’s really going on and… that doesn’t make it better.

Okay, confession time? I didn’t really find the Daleks scary. Not on screen. Now, I have seen them (as a prop) up close and moving around during the music show, so they can have presence. But not on screen. And certainly not in a book which is really trying to set them up as the ultimate evil… but casually kills them with one shot. Not much of a threat then?

And then Simon is trying to something different with the Doctor (which Doctor is it?), and slowly has him get with what the audience already immediately realise (frankly, and this is not a spoiler, I would have been far more impressed if he is revealed to be the Master).

Yeah, I can’t really be surprised this series was cancelled.


[END]

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Saturday, 14 October 2017

Universal 1936

It's the return of... no wait, no it's not! A villain we thought dead actually remains dead! (For now at this.) This is in fact about Dracula's Daughter.

With Dracula dead, perhaps his daughter might have a chance to turn her life around. While she reaches out to Jeffrey Garth, he is distracted by other matters, and she can't help herself. Garth slowly manages to put things together, and maybe, just maybe, the threat of the vampires can't be dismissed that easily. A final pursuit leads back to Transylvania, and the final scene doesn't play out as you'd expect.

Gloria Holden gives a rather commanding performance as Countess Marya Zaleska (Dracula's Daughter) (hey, credits, spoilers!). Otto Kruger is Garth, and is quite believable. Others are on screen and are not complete inept comic relief as per some other movies I've seen.

This takes the idea of a sequel quite seriously, but of course there can't be any other kin of Dracula lying about.

[END]

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Friday, 13 October 2017

Batmanning 66.3

This is it, season 3, the last season. And the final words are "What happened to Batgirl?" "Who knows? Who ever knows?" [And trivia, the final villain is Zsa Zsa Gabor as Minerva.]

So, speaking of Batgirl... we have Batgirl now! And she is clearly an addition to the series, made painfully obvious in the opening titles which have two slides of sudden Batgirl moments. She even has an amazingly stupid theme. (And this is nothing on Yvonne Craig, who is... I think restrained heavily into her outfit?) But so often we get huge slabs of time spent with Batgirl that you begin to wonder who's series this is.

But talking of the series, they do something extremely different. At the end of each two parter, they have a brief teasing scene of the next villain, either a specially shot moment, or (more often) a clip from the next episode. And yet despite being told 'this villain is around' they are always surprised in the next episode when that villain turns up.

We also take a special three parter set in Londinium where the good guys help out venerable Ireland Yard... I see what they did there! Compare with the most sexist episode pair ever as Nora Clavicle ousts Commissioner Gordon and replaces all the staff with women, which every man (and even Barbara) despairs over. The hell?

However, that's it. (Aside from the movies.) I don't care that these are camp, I enjoyed them... but I doubt I'll be watching them back to back again like this any time soon...

[END]

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Wednesday, 11 October 2017

The Over du Change

A New Zealand film? Based on a Margaret Mahy novel? Okay, I'll give this a go.

A school girl, Laura, has to look after her younger brother while her mother works (and her father isn't around). She gets warnings and feels that Jacko will be in trouble. Certainly they meet a creepy man, but he likes Jacko a lot. But then bad things start to happen, and only she can do something about it.

This has a lot of a feel of an abbreviated adventure about it. I do wonder how much extra the book had? Because there is a lot of "conveniently, this happens", where Laura just so happens to find the local witches and just so happens to do the right things at the right time and... yeah. It's only 90 minutes, so it feels like there is more that could have been done.

This movie is the introduction of Erana James as Laura, and she carries the movie well. Although Lucy Lawless gets a higher billing, she isn't more than a cameo. But we do get a really creepy performance from Timothy Spall. And Nicholas Galitzine seems to be channeling Robert Patterson.

Overall, this is a very YA take on a YA adventure.

[END]

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Monday, 9 October 2017

TELOS: Blood and Hope

Finally we have a Fifth Doctor novel! But because this is Iain McLaughlin, we are in fact tying in with his Big Finish audios and have Peri and Erimem.

The Doctor and crew land in the American Civil War, and immediately they are split up with the Doctor ending up with the Union and Peri and Erimem with the Confederate. Where Erimem is seen as non-white and thus is a slave/property. Iain mixes Peri’s story with letters from soldiers to explain the setting and detail the Doctor’s side of the story. Of course nothing is simple as they try to get together, and Peri in particular has quite a struggle.

I was reminded a lot of the Rebel’s Gamble, the choose your own adventure where the Doctor and Peri are in the American Civil War (although the Sixth Doctor, natch). That aside, Iain does get into detail with some of the war events and it is not presented in any way that promotes it as a glorious battle.

A decent story, but I would have liked more Doctor in it.


[END]

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