Wednesday, 14 March 2018

Rouge Bird

A thriller where the lead is a female? Hey, I've seen Atomic Blonde and this... is nothing like that.

A ballerina takes an aphorism too far, and ends up conscripted into her uncle's business. She's not that great at giving away her body, but she is into the manipulative bit really well. She's tasked with getting the name of the Russian mole out of the American handler, but all too quickly is ready to turn on her own side. And eventually we uncover all sorts of things in which we find out she had the power of script to set up the end scene way ahead of time.

You want a slow spy thriller? You got a slow spy thriller. And at over two hours, it has plenty of time to be quite slow. Not to say this isn't decently plotted, but it is very leisurely paced. Oh, and definitely don't expect any action scenes where JLaw takes out groups of men. This isn't that sort of movie.

That all said, easily the best part of the movie is Charlotte Rampling.

I can't say it was the movie I thought it was, but if you are into that sort of thing (which took me some time to tune into), it's a decently average entry.


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