Indy's master is having a bad time, and Indy is suspicious of something in the corner of the house. The guy moves to his grandfather's haunted cabin, and Indy is suspicious of lots of things, even if the chap doesn't see them (and at some point you have to ask, should Indy give up on him?). Indy does his best, because he is a ... good boy!
Apparently director Ben Leonberg spent a long time getting the right shots. So Indy wasn't trained? But certainly we get great performance out of the dog, and the humans are barely made out (as the camera keeps with Indy's eyeline). Although I was reminded of this sketch.
Come for the dog, stay for the dog, give up on the humans.
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