Monday, 20 December 2021

First PROBEing

One of the many Doctor Who spinoffs was P.R.O.B.E. starring one Carolyn John as Dr. Elizabeth Shaw (as produced by BBV - Bill Baggs Video). I got my hands on them episodes and let's watch 'em.

The first one is The Zero Imperative, and features a clinic for patients with mental problems. Although the only one that matters in the patient in room Zero (clearly a natural numbering scheme here). Dr Dove is in charge of the clinic and is about to be closed down when Peter Russell steps in. However, there have been several murders in the area, attracting the attention of Liz Shaw, who much uncover the connection between all the characters involved.

The plot summary might seem a little confused, but there's several plot strands in this story (written by Mark Gatiss) and very little of them many any sense and even less are connected with the actual plot. Indeed, Liz is largely irrelevant to what is going on, and easily could be written out of her own story. She certainly isn't putting any amazing scientific prowess of display and I do wonder if this story might have once featured Sarah Jane Smith investigating.

But at least we have a heck of a cast. Sylvester McCoy, Colin Baker, Jon Pertwee to name three. There are very sly references to them being the Doctor, and at one point Liz thanks Jon's character with "Thank you, doctor." Although it's kind of odd that she doesn't say "hey, you look just like this chap I used to know..." We also get Sophie Aldred and Louise Jameson and Mark Gatiss steps from behind the writer's desk to have a role.

At the end of the day... this isn't a great start. Cast isn't everything, and the story is a lot of a mess. Let's hope this picks up.

[END]

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Friday, 17 December 2021

Spider-m'n no home

Yeah, I've seen it. That is to say, I saw it.

Story-wise, go watch the trailer. You get the basic idea: Peter goes to Dr Strange to do a spell to undo the revelation at the end of the previous movie, and Bad Things(tm) happen.

First off, there was a lot of cheering in the theatre, so expect that. Whenever someone big turned up, so did the cheering. So this gets a big combination of the new Tom Holland movies and the Spider-Man franchises so far (although not Into the Spider-Verse... yet). Peter Parker is gonna be Peter Parker, and his villains are gonna be his villains.

It was great to see various actors back, and see them give great performances again. More than just "big scene eating" (although there was that as well), we got to see quieter moments that make you go "yeah, they can act!" And hey, the CGI effects are just like they used to be (with some particular ones standing in for actors that weren't there). [And the mask taking off/putting on looks just as fake as it always has.]

I have no doubt this will be rewatched often with the other movies, but in the mean time check it out at a theatre near you. And yes, there are post-credit sequences to watch.

[END]

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Monday, 13 December 2021

GhostLife: AfterBusters

Take the first movie... and completely ignore the others... and remake it... I mean make this sequel.

This movie is recovering the past. The characters find out that the first movie happened, and then they get to do the same thing. Hooray!

Everyone has pointed out how steeped in nostalgia this is, and they are right. Like you spend a lot of time going "hey, that's that thing!" So from that point of view this is a lot of a remake. However... the original was a lot of comedy, and this movie, again as people point out, isn't so much. Indeed, with the focus now on the kids (and how they step up when the adults are completely incompetent), and with that, the movie can't really splash in horror due to ghosts either.

Which is a shame, as if you can't do comedy, horror would have been a good way to take this. Instead, this is a love letter, and there is certainly love all over the place. Especially when the first three come back, because of course they do. And there is easily set up for more movies. (Although there is barely a nod to Ghostbusters 2, and absolutely no mention of the female Ghostbusters movie.)

So... it's fine. There are some nice moments. But it doesn't really go anywhere new, just retreads old ground. If there's more, we'll see if something more can be done with this franchise (because coming back to this well will now be a thing.)

[END]

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Friday, 10 December 2021

Madame X

It's her latest concert, mainly filmed in Lisbon, but you can spot shots from other shows.

Madonna performs songs from her most recent album, Madame X, but scatters in previous songs too, usually with a twist on them. However, rather than huge shows, Madonna chose to go to smaller, more intimate venues so people could get up close to her (and she to them). Certainly the stages are smaller and so everyone gets up in there. And the cameras really do.

I didn't talk about the album when it came out, but I had a big problem with it: namely Madonna sounds extremely robotised on her songs. There are moments of pure auto-tune, but it feels like something like that had been applied to everything. Especially during Batuka, you compare Madonna with the all-women group, and she comes off really badly. And they are here in this concert too! And this concert also shows Madonna singing more naturally for her other songs, so I just don't know why she felt this album needed this treatment.

But, hey, concert with her performing live, that's got to be good right? One small issue... the editor decided that we must have a different shot every two seconds. It's extremely aggravating! Calm down! Madonna knows how to put on a show, you don't need to smash cut to something every other moment, just put the camera on her and leave it alone! Some close up, fine, but put down the cocaine!

I damn hope Madonna does other international concerts, certainly I'd like to go to another one, but this is not the best representation of what she can do.

[END]

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Wednesday, 8 December 2021

I Can't Die!

Tim/TJ is known for rather "distinctive" characters. That, plus an inciting incident of "let's go in without a plan" lead to a rather different adventure for us.


The title rather suggested itself.

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Sunday, 28 November 2021

Last Night in Soho

I can't say I was agog for the latest Edgar Wright, but I was always going to watch it eventually.

Eloise comes to London, but finds herself dropping into the past and lining up with Sandie and her glory days. Only it turns out, it's not all glory and indeed at moments rather gory days. Unfortunately, Eloise isn't finding it easy not to be there, and the past becomes present in very unpleasant ways.

This movie certainly goes places. The nature of the movie changes slowly, and gets very dark indeed. I didn't forsee pretty much anything, so yeah, completely caught by surprise. Pleasantly so! Wright does good work.

All talk is about how good Thomasin McKenzie and Anna Taylor-Joy are, but... I completely failed to realize that was Dame Diana Rigg there! Wow! And of course there's Matt Smith here, but I didn't have a problem disassociating him from his rather more well known performance. And Terrance Stamp! Always a treat!

And indeed, this whole movie is gorgeous to watch, great cinematography with amazing choreography of movements... Definitely check it out if you were hesitating!

[END]

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Friday, 26 November 2021

Canom: Let there be Vernage

I note this isn't listed as Venom 2, but Venom: A different subtitle. This is the MCU way, and this is definitely folding into the MCU.

Eddie bumbles his away around his life, not doing much, until Kassidy drags him into the plot of the movie. Indeed, Kassidy makes all the moves, and advances the plot as he becomes Carnage, and does everything he can to make the movie happen while Eddie happens to also be there.

This movie is a tight 97 minutes, which makes it a rare superhero movie that comes in under 2 hours these days. However, it has been pointed out that this movie have been heavily edited, and it certainly feels that. Any moment that could give the movie a breath is squeezed out in order to get to each plot point as it rushes along. Just take a beat, movie, you can afford it.

Woody Harrelson, unsurprisingly, takes the entire movie and is the best thing on screen (although he could do with opening his mouth more and being more audible). Tom Hardy apparently wrote part of the story, and yet doesn't really seem to know what he is doing in any scene, just accidentally being in the right scene at the right time. Naomie Harris should have been in more of this.

A straight forward enough movie. A quick pace that could stand to be a scant bit less quick.

[END]

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