The movie that isn't Superman, that's the one. While a little dark and gritty, not as much as Batman. My main first impression... LOUD! MUSIC IS LOUD!! SOUND EFFECTS IS LOUD!!! STOP BEING SO DAMN LOUD!!!! And there's a lot of Whiteout too.
What the story of the movie feels like is: back story, build up, back story, build up, back story, build up... SUDDENFIGHTEND! Investing this in the character might pay off more when we can view this in a block of other movies, but it feels really front loaded (much like the last time Nolan introduced a comic book hero). There are many nods to the comics, but most them feel like the script writers heard about them, and added the idea, rather than actually knowing what the reference is. And one thing I did notice... no-one ever says the city is Metropolis (or names it at all, most people will probably assume New York if they don't think the big M) [the name is on screen very briefly at the army HQ].
Henry Cavill is decent as the Man himself, although characterisation quickly falls flat when it just becomes all about the punching. Amy Adams as Lois Lane felt... unnecessary. Really, what did Lois Lane add to this? If we are all about re-imagining Superman (without going the Smallville series route), why not skip that entirely, or make Lois Lane into something other than 'reporter who finds Superman and then needs to get saved by the men'? Michael Shannon eats all the scenery, Russell Crowe and Kevin Costner probably cost most of the film's budget, and Antje Traue... sigh... so sexy when she's being all imperious and superior.
We could do worse than this movie, but I'll need to see the sequel for judging if this gets a pass or not.
[END]
Tuesday, 2 July 2013
The Steely Man
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