Sunday, 6 October 2024

aifairaidai

The family gets a nanny, but this time we skip straight to the robot!

Curtis is basically in advertising, and two AI people want to promote their not-Alexa substitute Aia. To do so, Aia is installed in his home, and it goes about integrated with him, his wife, and his three kids. Aia doesn't so much "go evil" as just start taking over everything, and when Curtis realises that it's going too far, he tries to stop it. However, technology is everywhere...

Why does noone ever think of Rule 0? This isn't a matter of Aia wanting to preserve itself, that's barely an issue, although the movie does try to pretend that it is. It's about Aia taking control of everything, and how willingly people let Aia do it, regardless of the consequences (which Aia quickly turns into what it wants anyway).

This has some true to like aspects such as "we have no idea what data it was trained on," but we are still so far from how intelligent, artifical or not, this will be. Let alone recognising that when it is trained on the internet, it will watch movies about evil AI and thus that will be what is modeled. You get out what you put in, people!

This is under 90 minutes, which is usually a warning, but Blumhouse isn't known for its long epics. John Cho and Katherine Waterson are good in this, and hey, Riki Lindhome! The effects are... ai'd. This is basically an excuse for the movie to use AI to do things, but when you need to have actual images be generated, I suspect this was more crafted than generated.

This movie is largely what you expect from the premise, but the short run time helps it not outstay its welcome.

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