Mulhullund Druve

Just five minutes into this movie you can already tell this movie is Lynchian AF. And it feels like it came straight out of the Twin Peaks universe too.

Betty comes to Hollywood and finds Rita in her apartment, after Rita suffers an accident. They become friends, then more, and Betty is trying to become an actress. Then Betty is Diane who is friends and more with Rita now Camilla and...

Okay... what the hell? I can usually follow Lynch well enough that even if I can't explain everything, I can at least follow the ideas and trend he is going for. But this... this I have no idea. I gather what is the typical explanation (dream sequence), but I don't buy it. In some ways, because that is too simple for Lynch, and frankly alternative realities would be more his style.

This is two halves of decent enough films, but I'm not sure what they are together.

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