Tuesday, 9 November 2021

All Light, Everywhere

What we have here is a documentary about the camera, about what it sees, about what it doesn't see. And it's something else.

Take a good look at cameras. In particular, spend a long time looking at police bodycameras, where they are made, how the police are told to use them... but then make everything artier. Artier... ARTIER... now really JUMP up your own butt with pretentiousness... there you go, there's the movie we have!

This has some interesting points to make, about how we look at the world. The body camera sees what the observer sees, but not what the observer does. Technology isn't seamless, images can't get everything. Our own eyes have blindspots, and so do our cameras.

But that's not enough for this movie. We need to see beyond what the camera is pointed at. We need to see the camera itself. We see the documentary makers. We have a voice over tell us things. We have (sometimes) separate captions telling us things.

We get auteur up in this!

And we also get nearly two hours of this. It is a LOT. Myself, I would like this to be made in a more straightforward way, but this method may appeal to someone.

(All this, and nothing about Deep Fakes...)

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